Відео

My guitar maker uses a saddle that is twice as wide as the normal saddle and intonates each string on both the saddle and the nut. He has a quite expensive tuner that he uses to get each string as close to perfect as possible. I have a flamenco and a classical made by him and they tune better than any nylon string I have ever played, with the exception of the Godin Electric nylon.

always interesting see the different order people do things. dou mind sharing why you carve after its attached to the body?

interesting that you did a solid interior lining rather than kerfed. how thick is it? any trouble bending it or not really? i like the idea of more rigid sides

Absolutely egregious amount of glue. So many men are so dense and daft.

Great video! Where do you source your veneers?

Great video ! I thought this could be done but this actually confirms it. My B is horrendously sharp and G jsut pretty bas (15 cents and 10 cents) roughly.

Where can I get the exact transcription of the Piece? Please. Thanks.

Excellent!

This is beautiful!

WOW!!!!!!! What a performance and what an incredible guitar. What model is this?

Guitarists: Use a clean workspace to do your work. That carpeted table needs a good vacuuming!

Always a pleasure to revisit your videos and your guidance.

Cosa pui bela

Every factory guitar should come with this!

46:38 I do it with a blade. I clamp it on the top of the workbench and I use the spokeshave very sharped with some limiters cauls below. I can work with veneers until 0,4mm thick.

this is awesome!

Beautiful !

Que merda de vídeo.

This is a pretty impressive performance. 17 years ago, wow!

The very gentle bass notes are magical .

Always a pleasure to revisit your videos.

Gracias amigos de Victoriona por ese sonido tan malo en youtube.

You explain this so very well! Thank you🙌

I never get tired of your accomplishments in building such beautiful instruments...Thank you Maestro! Greetings from Albuquerque.

Nice, the music in the background is a major distraction.

Had to switch off because the music playing in the background is very annoying and at best much too loud.

Bravos to the Maker, the Player and the Composer!

I recall playing one of your guitars from the 90's. Not sure what number it was, but I'll never forget the sound. Sending greetings from the San Francisco Bay Area. 👋 Thanks for sharing.

What a beautiful sound, and the guitar is also very beautiful.

Stanley Yates did a good job on this arrangement.

Yyeahhh...you lost me at the super glue

Beautiful instrument!

Awesome Greg

Thank you for choosing such intriguing pieces of the repertoire to accompany the natural sound of your work and no talking. Fantastic work.

Couldn't you saturate the top with water instead of shellac and get the same effect ?

This works very well if the saddle slot is through-cut. I guess it's time to try that. Thanks.

Michael, I really enjoy your videos. Your observations about traditional fan strutting vs lattice are spot on. It is not a question to which there is one simple answer. Like everyone else, I have my own preferences. And I have found my own solutions to my unique musical tasks. One of the great concert players once told me in a private moment that his choice of guitar was in no small way a practical decision. He admitted his old instrument had qualities his current guitar didn’t have. But his choice was a matter also of convenience of knowing the sound was always going to be the same, no matter the condition of his nails and the acoustics of the recital hall. Thanks for documenting your work.

Gorgeous. I am transported.

I love the idea of Torres to Moya: - "It's like a beer bottle." - "Si, claro."

Nice work!!!!

This is an extremely helpful and informative video. Thanks for posting it! I realize that this is an older video and I hope that you will be able to respond. I make steel string acoustics and have made several double tops with nomex cores. They work pretty well but I am always trying to improve my guitars. Particularly with LMI out of business it is harder to get nomex, and frankly I haven't been thrilled with that product. That is why I've been contemplating using a balsa core. Your idea of 45 degree channels is great! That makes so much more sense than simply machining round holes. What I am wondering is where you source your balsa and is there anything special about it that I should know. In searching suppliers, I see that there are a number of different weights and types available as well as end grain. Have you done any experimenting and is there a particular type that has been better for you? Thanks in advance for any information.

I hope you have earbuds

hi,thank you for the nice video, but security seem not to be an issue for you!!!

Where can I buy a saddle like this?

So you made very fine lattice and then covered it with foaming expanding glue that will no doubt expand into all of those little spaces, and added glue to hold th other piece of wood on your “sandwich”. I’m not a luthier yet ( soon to be ) but I am Woodworker of many years. Seems to me you’ve just severely limited the top’s ability to vibrate, and have basically turned this into a “glue top”. I want to be wrong, so please instruct me.

Está versión para guitarra de Oriental del español Enrique Granados es una de las mejores y más bellas versiones que existen. Es maravillosa la interpretación del maestro Gary y la transcripción del maestro Stanley Yates es sublime, Gracias por este video maravilloso que reproduzco y reproduzco sin parar.

Thanks,perfect.

What are these comments 😭😭

I've been able to bypass hand sanding the rows of the tiles to thickness with a sanding disc on the drill press (like you do with the finished rosette). I make them from particle board about 2.5-3" diameter. The way I keep them from breaking even with the white end grain, is I glue down one of the rows off center to a workboard and use it as a fence (it obviously sands to whatever thickness you need). The spinning disc pushes them up against the fence and you put them in half way, pull it through then turn them around. Less than an hour compared to many hours doing them by hand. Thanks for teaching me your method of making and setting in rosettes!

The problem with that is you cannot intone the saddle. You end up playing a guitar that is out of tune as you move up and down the fret board. There is a huge difference. I have guitars with the saddle adjusted on each string and on the nut also. These are the only classical guitars I have ever owned that play in tune up and down the fretboard.